Showing posts with label PJS. Show all posts
Showing posts with label PJS. Show all posts

Wednesday, April 1, 2020

Endurance / PJS - Endurance / PJS (Crash Symbols, 2019)



Hey!  What better way to tide us over during the mini-pocalypse than a lovely slice of drift that is itself a triumvirate composed of our favorite music-producing organisms?  Crash Symbols, Endurance, and PJS all rank up at the top of our charts, so the idea of them combining forces is almost indescribable in its goodness.  We’re as happy as can be, all things considered.

Here we have a reel of ferrous material imbued on either side with the cosmic sounds of Canada.  Well, technically Endurance is currently located in Japan, but Josh Stefane is Canuck diaspora, so we’re widening the lasso over here in our geographic categorization.  On the A side is a pair of his compositions, while the flip side is owned by PJS, which is Jordan Christoff and Patrick Dique.

The Endurance tracks capture two unique modes of Stefane’s soundcraft.  “Outside” launches with a string of reverberating chimes that ring out with a sense of delicate beauty.  The sounds blend into a gentle, shimmering mist that just begs to be waded through.  Dreamworld, here we come!  The opposite effect is at play on “Waystation”.  In this piece, a darkness overtakes us.  We’re riding in a lonely subway car at midnight.  Our skin crawls and the hair on our arms stands on end.  An uneasiness grows within us.  We can’t think of anything but the darkness.  Eventually, a faint glow materializes through the window, the sense of dread diminishes, and we allow our internal monologue to continue.  This is a very bold piece.

PJS lay out a live synthesizer array that sways gently in an invisible breeze.  “Parellels” captures the duo channeling spirits from the cosmos and bending those phantasms to their will.  Their translucent bodies waft however Christoff and Dique command them.  A binaural fluttering evokes graceful movement, such as that of a fish darting through water or a soaring bird, and a subtle crackling emerges with a fairly regular cadence, giving rise to a slight shiver.  These are the sounds of a cloudless twilight.

Alas, physical copies of this captivating release are sold out, but it’s available in digital form via the Crash Symbols Bandcamp, so click on over there and prepare to zone out.


Tuesday, May 14, 2019

PJS - Solstice Birth Magic (No Problema Tapes, 2019)



Hey people, are you thirsty for spiritualized dream-drift?  Well the duo of Jordan Christoff and Patrick Dique are here to slake your appetite.  As PJS, the pair offer up relaxing drone poems that spill over the horizon and mingle with cosmic bodies as they unfold toward eternity.  Their music is recorded live in environments suitable for harnessing the energies of our universe, and there are no computers involved at all.  The situations and their outcomes are as peaceful as possible.

PJS are no stranger to these pages, as we spilled a few words about their Hermes cassette last year.  Solstice Birth Magic is equally entrancing, yet its sonic constructs are lengthier and flow with what seem to be more ornate eddies.  They’re sprinkled more liberally with field recordings as well, which adds to the gravitas of the synthesizer drones.

The title track is divided in two, and the first half contains relatively smoother timbres than the latter half, which features buzzier synths and evokes a windswept feeling.  The polish that is characteristic of the introductory piece is only worn away when the field recordings rise in the mix, as a slight hint of static or crackling appears.  As an entity, the entire proceeding shines with a warm, comforting glow.  “Auspicious” encompasses the entire other side of the tape and is slightly more austere than what came before.  A variety of moods is presented across the track’s 26-minute running time: from incredibly dreamy to slightly foreboding to intensely uplifting.  It’s the perfect soundtrack to whatever scenarios are unfolding across your mind’s eye.

Join PJS as they explore both outer and inner space.  Head over to the No Problema Bandcamp and capture some of the exhilarating energy this pair of cosmic voyagers has to offer.


Sunday, November 11, 2018

PJS - Hermes (Aural Canyon, 2018)



I was first introduced to the music of PJS through another project that Jordan Christoff – half of the duo alongside Patrick Dique – is involved with, Saturn’s Daughter.  In that project, Christoff and Michelle Mostacci sling nature-influenced drone works that are recorded live to tape with no overdubs or computers involved.  With PJS, Christoff and Dique offer more crystalline patterns, with deep shimmering textures that at times stray toward the uncanny.  The pair have been playing together for over twelve years, and this extensive tenure is evinced by how cohesive their music unfolds; its structures are built by seasoned collaborators.

Hermes is the duo’s 2nd official cassette, but it’s their first for the Texas-based Aural Canyon imprint.  Christoff commemorates special dates such as equinoxes and solstices with musical offerings, and as such this tape arrived on All Souls’ Day, the closing of Allhallowtide.  Far from being a haunted affair – which would align with the season – the music that lies herein is flavored by the cosmos.  Along with synths, samplers, field recordings and magic boxes, the liner notes list air, rainbows, melody, water, portals, and texture among the elements used to fabricate the pair’s twilit drones.

Each of the six tracks expresses a unique mood, but the entire song cycle maintains a consistent sense of ebb and flow throughout.  This allows for the lengthier tracks such as “111” and “Ethereal” to travel through various landscapes without straying too far afield from their intended paths.  It also offers room for the duo to experiment with oblique and unnatural tones, such as the ghostly howls at the mid-way point of “Ethereal” or the alien gurgles of “Liquid”.  The sheer immensity of the material itself is reminiscent of some of the more epic moments from New Zealand’s Campbell Kneale and his Birchville Cat Motel project, which I’ve been meaning to dig into my archived boxes of CDs to re-investigate.  PJS have slaked my monolithic drone thirst with this stunning release.

Dive into the ocean of drone by directing your mouse pointer to this link to the Aural Canyon Bandcamp; physical copies are still available.